Lessons Learned from Genius Hour

After eight years of engaging our students with a Personal Passion Project during Term Four we shifted to a ‘Genius Hour’ model for 2015. In the end the results from the students were impressive but along the way some lessons were learned and we are looking forward to making some minor tweaks for 2016 that should further enhance the learning opportunities. What remains clear is that students given the opportunity to bring their passions into the classroom produce results that go above and beyond expectation. It has also been obvious that success is linked to the establishment of conditions that encourage risk taking and reinforce the importance of learning and design as an iterative experience.

The key difference from previous years was that students started their projects late in Term One and had time each week during Terms Two, Three and Four to develop and then implement their plans. An hour was allocated in the timetable for this and we were able to have all five Year Six classes working on their Genius Hour projects at the same time. This allowed opportunities to combine as a year and to share ideas across classes thus creating opportunities for students to share ideas with colleagues who had a common interest. It also allowed us to invite guest speakers to visit the Year Group and share ideas from their careers. To facilitate this, we reached out to our school community and had offers of support from project managers, technologists and graphic designers. Each visiting expert added a new dimension and deeper understanding of the process that the students would be engaging with while revealing the real-world applications of what the students were doing; finding questions, imagining solutions, developing plans and managing projects.

Early on we introduced students to the importance of finding the right project to explore. To do this they needed to identify their personal passion and then connect this with a question that had real significance. We introduced students to ‘A More Beautiful Question’ as a resource and shared examples of questions that led to the discovery of new ways of solving challenges. With an understanding of the process and the seed of an idea students spent the next few weeks planning their projects. In keeping with the application of a ‘Design Thinking’ approach these plans remained open to change throughout the year and the final products and solution in many cases showed significant diversions from what was originally imagined. Understanding that this is inevitable is something we will cover in our initial introductions for 2016.

The diversity of student projects was one of the highlights. We had a number of students who selected projects connected with novel writing and the results were impressively evolved and interesting works of fiction. A group of students with an interest in fashion and fabric crafts emerged and supported each other in the process of learning to sew. While their projects had some common elements differences in approach and desired result showed the complexity of the projects the students imagine. We are fortunate to have expertise in this area amongst our staff and are able to call on specialist teachers from our Senior School to fill in the gaps. More importantly the projects create real learning opportunities for all involved as problems emerge and solutions are discovered through a collaborative learning experience. The danger of teacher expertise stomping on student discovery never became an issue partly due to careful teaching practice in not revealing the answer too early in the process but also through a genuine need for shared learning that resulted from the originality of the projects.

Some rather unique projects emerged and presented interesting learning opportunities. One boy wanted to construct a set of shin guards that would combine fiberglass and foam to offer an increased level of protection and comfort. With no prior experience of using fiberglass, teacher and student had to combine our learning skills to discover a process that would work. Plans were made and changed, and evolved as we experimented with options and relied on internet sources to discover a workable solution. In the end he had a pair of shin pads that met his original expectations and show promise as a new design. Another novel project was a dog sitting service loosely modelled after ‘Air BnB’ that through a website connects people requiring dog minding with people willing to provide such a service in their homes. The aim is to provide pet minding services in locations where there is presently nothing available and at a low cost.

A number of students took on artistic projects. One of the standouts was a book of candid portraits taken of students as they worked in class. The portraits reveal the subjects’ characters and emotions as they engage with their learning and were beautifully presented in a printed book. One student imagined a tree made of recycled chop-sticks. This project took on rather massive proportions and involved hundreds if not thousands of carefully washed and assembled chop-sticks. Other projects included photographic collages, hand crafted lamp shades and a collection of purses woven from plastic shopping bags. We had students working on electronics projects, go carts and a snowboard adapted for use on a trampoline.

With all of this making happening it became clear that we were a little unprepared from a tool and resource perspective. This will be partly solved for 2016 with the creation of a Makerspace with enhanced access to the resources required. We will also have a set of tools and a mobile workbench available for each of our Year Six classes. These additional resources will bring a need to up-skill the students in the use of new tools but should also allow them to imagine new solutions. Understanding what is possible is one area that some students have struggled with in the past so we plan to include an introduction to making as part of our planning process for the future.

For some students the process of implementing their plans presented new challenges. Obstacles and failed prototypes were not always seen as a step towards success. This demonstrated the importance of understanding that design is an iterative process with failure as a necessary and unavoidable component. Such experiences bring opportunities for a practical application of our ongoing conversations about the benefits of a ‘Growth Mindset’. A benefit here was that the making process provides inherent feedback as to what doesn’t work. The challenge has been to establish a culture that supports experimentation with a suitable expectation of quality. The expectation of quality was supported by the looming reality that the projects would be presented to a real audience at the end of year ‘Gallery Walk’.

Throughout the year we were able to make some little tweaks to the way that ‘Genius Hour’ functioned. One was that we were able to add extra time in Term Four beyond the prescribed hour and this allowed students to spend longer blocks of time on their project works. The planning process we had imagined did not suit all students and this was modified and adapted as we went. For 2016 we plan to further modify our use of this time with students completing three projects throughout the year rather than one. Students will begin with a short research based project in Term One in which they select the topic and method of presentation. In Term Two students will explore through de-construction a product of their choice and then collaboratively design an improved version. With these two self managed projects behind them students should be well prepared for a larger scale project in Term Three and will again benefit from additional time in Term Four to complete their ideas.

With each iteration we learn more about the inclusion of Design Thinking, student passions and project based learning within our yearly programme. Each year the students amaze us with what they produce and they leave us with greatly enhanced confidence in their abilities to manage difficult and complex learning experiences. Running a ‘Genius Hour’ project can at times be exhausting and messy and challenging for all involved. The pay off is a learning experience on a grand scale that provides a solid platform for future growth.

By Nigel Coutts

With thanks to Clare McPhillips, Amber Bidwell, Jo Robinson & Jake Turnbull 

Suggested Readings to Inspire Teaching

With the end of the year approaching and holidays looming for some now is the ideal time to share some suggestions for books and papers to read. A great book can provide the inspiration required to begin the new year positively and this list includes some of my favourites from 2015. In no particular order here is my list of top ten reads to inspire quality learning and promote discussion. 

1.    Future Wise: Educating our Children for a Changing World by David Perkins
How do you answer the 'uppity question’ from a student who wants to know why they need to learn what you are teaching? Do you reply that they need it to do well in the test or are you confident that it is learning they will need to do well in life? In this book Perkins examines what we teaching in schools and makes recommendations for a shift in focus. A key idea introduced early and unpacked throughout the book is the idea of ‘Life Worthy’; learning that is 'likely to matter in the lives learners are likely to live’. Future Wise is jargon free and a great book to share with colleagues, it will help you rethink what you spend time on in class and clarify how you see the role and purpose of education. 

2.    Who owns the learning? Preparing students for success in the digital age by Alan November
The title alone is worth pondering, ‘Who does own the learning?’ If the best learning occurs while the unit is being programmed, if the students have little say in the direction their learning takes then how are we preparing them for their learning futures. Alan has a solid understanding of the implications of technology for learning and combines this with student centred pedagogical approaches to describe a model of education that empowers young learners to take charge of their learning. For teachers the challenge is to get out of the way of the spectacular learning that their children are capable of. 

3.    Learning by Choice: 10 ways choice and differentiation create an engaged learning experience for every student by A.J. Juliani
Students appreciate choice just as much as adults do and are more likely to engage with the learning they choose. Inflexible curriculums full of content that is not personally meaningful is hard to sell to students but a ruler understanding of the purpose of the curriculum and a desire to include choice can transform this. Through the inclusion of passion projects, twenty-percent time and genius-hour teachers are giving students choice in their learning and the benefits are enhanced learning and highly engaged students. If you are looking to give your students choice then this book is the perfect starting point.
 

4.    The Smartest Kids in the World: and how they got that way by Amanda Ripley
Globalisation of education and the rise of international assessments such as PISA has lead to comparisons of national education systems. In this book Amanda Ripley investigates the experience American exchange students have learning in some of the worlds top-ranked educational systems. The experience they share reveals that the true nature of the success of these systems can not be found in the league tables. From South-Korea to Poland to Finland each system has particular advantages and disadvantages and there are no quick fixes to be found. Beyond the hype of global education leaders this book paints a more human story of schools around the world through the eyes of the students.
 

5.    Creative Schools: Revolutionising Education from the Ground Up by Ken Robinson and Lou Aronica
Sir Ken Robinson’s 2006 TED Talk has reached and inspired a global audience on a new scale for educators. It has inspired teachers to seek ways to educate that do not kill creativity but it has one missing piece, the how to element. In ‘Creative ‘Schools’ Robinson sets out to make the process of school transformation achievable in a practical manner. With advice and strategies ranging in scale from the classroom to the system this book is an ideal tool for any teacher inspired by Robinson’s speeches. 
 

6.    New Kinds of Smart: How the science of learnable intelligence is changing education by Bill Lucas & Guy Claxton
Intelligence is neither fixed or a unitary concept, it is changeable, learnable and varied. Understanding what this mens for education should have a profound effect on how we teach and how we see our student’s abilities. The book explains what intelligence is how, the varied forms it takes and offers practical advice on how new research can provide insights for how we learn. The authors deserve praise for the way they present complex material in such an accessible way that is entirely readable by time-poor teachers. 

7.    Reading the Visual: An introduction to teaching multimodal literacy by Frank Serafini
 We live in an increasingly visual world and this requires a new literacy that combines the various elements of the visual into a compoundable text. Serafini’s book is full of practical advice for teachers of visual literacy based on a clear understanding of how multimedia texts are constructed and are open to various readings. With a set of model units for teachers to follow the book is sure to enhance your teaching of Visual Literacy. 

8.    Creating Cultures of Thinking: The 8 forces we must master to truly transform our schools by Ron Ritchhart
In this book Ron Ritchhart outlines the eight cultural forces required for successful schools and the development of thinking cultures. Understanding get eight forces is the first step towards school wide transformation. For schools with an interest in 'Making Thinking Visible' or 'Habits of Mind’ the eight forces are an essential element that take these already effective strategies to a higher level where they can be fully embraced. 
 

9.    Rethinking National Curriculum Collaboration: Towards an Australian Curriculum by Prof. Alan Reid
If you are interested in knowing what the Australian Curriculum could have been like then you should read this report. It presents a view of curriculum in which the content is a vehicle for learning of broad skills and dispositions that are widely transferable. In this model students would learn twenty-first century skills through content. This shift away from content as the goal of teaching would have allowed a curriculum with flexibility to respond to local need and individual needs while ensuring that essential aspects of a long-life education where adequately addressed. Reid’s model provided us with the ‘General Capabilities’ of he present curriculum but shows how these could have been the essential ingredient of a modern curriculum. There are lessons here for anyone with an interest in curriculum design. 
 

10.    Mindset: How you can fulfil your potential by Carol Dweck
The notion of fixed vs growth mindsets has become a common feature in educational dialogue but the implications of this are not always fully understood. This book is essential reading for teachers looking to achieve the maximum benefit from Dweck’s ideas. Beyond the oversimplified explanations often shared this book takes you into the true nature of the mindsets and shows how the reality of their interactions and the potential for transforming one’s thinking is more complex. 

Also worth a look: 
1.    Creating innovators: The making of young people who will change the world by Tony Wagner
2.    Most Likely to Succeed: Preparing our kids for the innovation era by Tony Wagner & Ted Dintersmith
3.    Invent to Learn: making, Tinkering and Engineering in the Classroom by Sylvia Libow Martinez & Gary Stager
4.    Limits to self-organising systems of learning—the Kalikuppam experiment by Sugata Mitra & Ritu Dangwal

And something Different

5.    Elon Musk: Tesla, Space X and the Quest for a Fantastic Future by Ashlee Vance

 

by Nigel Coutts

Ten reasons to teach thinking

The teaching of thinking is a critical endeavour for teachers and one that brings enhanced learning opportunities for students. Unfortunately thinking is not something that we naturally do well and as a consequence it is a skill we need to learn. Understanding this is the first step towards establishing a culture of thinking in your classroom but encouraging an entire school to get on board with this can be difficult and given our already crowded curriculum anything that seems to add to the load is likely to be resisted. Here then are ten arguments to use with colleagues, parents and most importantly students that might help you convince them of the need to learn how to think.

One

Normal education does not improve general reasoning - However; In programmes that target reasoning with specific elements, reasoning is improved - David Perkins

The best programmes are integrated with the standard curriculum, they are not an optional extra - Robert Swartz

Two

Teaching students what to do in the world, what to know, how to behave is EBNE - Excellent But Not Enough - Edward De Bono

Students require opportunities for:

    • acquiring and integrating knowledge
    • extending and refining knowledge
    • using learning meaningfully

Robert Marzano

Three

What makes the good creative ideas stand out from the 3000 others, what do the creative people behind the good ideas have that others don’t:

    • Curiosity
    • Problem Solvers - This is the easy part
    • Problem Finders - This is the part that differentiates them as it is finding the right problems (hard) and then solving it (easy) that means you have a chance of changing the world

Pick the right thing to do and then work hard

Ewan McIntosh

Four

Our lessons should always include Content + driven by the students finding the SO WHAT? - Now you know it SO WHAT? or Now you know it what are you going to do with it or about it?

The 'So What?' leads to student initiated inquiry out of the prescribed content and brings the students passions into the classroom and takes their learning into the world.

Guy Claxton & Lane Clark

Five

If nothing has changed in long term memory then nothing has been learned . . .

An instructional recommendation that does not or cannot specify what has been changed in long term memory; or that does not increase the efficiency with which relevant information is stored in, or retrieved from, long term memory is likely to be ineffective. (Sweller, 1988)

Understanding cognitive architecture allows us to better understand how we learn

Lane Clark

Six

Cognitive Load Theory

Three loads to consider in planning for learning:

    • Intrinsic load - inherent intellectual complexity of the task, you can only reduce this so far without the task becoming meaningless
    • Extrinsic load - how material is presented, environmental factors, modes of responding, you can make real differences here
    • Germane load - motivation, interest, task relevance, buy-in. This is all about engagement and learning that matters to the learner - life worthy learning according to David Perkins author of 'Futurewise'

Three questions to ask that enhance learning:

    • How can you decrease intrinsic load?
    • How can you decrease extraneous load?
    • How can you increase germane load?

Seven

Cultivating learning habits depends on:

    • How you talk (what you name)
    • What you notice (and ignore)
    • What you display
    • How you design activities
    • How you design space
    • How you assign time

A culture is a ‘nutrient medium’ for nurturing growth

Cultures of thinking are places in which a group’s collective, as well as individual thinking is valued, visible and actively promoted as part of the regular day-today experience of all group members

Guy Claxton

Eight

A Metalanguage of Learning

Successful schools create a common language for learning and thinking through a process of collaboration that involves students, teachers, parents and the community and is the foundation for metacognition - A shared language for talking about learning and thinking is an essential step in building a culture of thinking.

Nine

Students have impoverished models of what good thinking is like . . . therefore:

    • We need to teach our students to think
    • We need to teach our students how to think
    • We need to teach our students to recognise the need for thinking 
    • We need to empower their thinking with tools, strategies and scaffolds and overtime allow them to select the right tool for their thinking
    • We need to ultimately produce students who can and who do think who have a disposition to quality thinking

Ten

Children who have become:

    • resilient - have a growth mindset
    • imaginative
    • curious
    • collegial
    • and enthusiastic readers

fare better in life AND do better on the test

If we teach our children to think then they will do better on the test and they will do better in life.

by Nigel Coutts

Education: Competition vs Collaboration

In a time where much of the debate around education is linked to performance on national and international assessments such as PISA, TIMMS, PIRLS and in Australia, NAPLAN combined with calls for market-driven reforms there is a danger that a climate of competition between schools and systems will grow. Such competition while potentially inspiring systems to identify areas for growth may also give rise to a desire to keep ideas that deliver results a secret. What is most interesting is that this potential for competitive secrecy occurs at a time when teachers are increasingly empowered to share and collaborate across schools and systems on an international scale.

Attend a teach meet and you will see many of the strengths of educational systems on display. Firstly, teachers are passionate about what they do and bring creativity, innovation and evidenced based practice to the solution of every-day challenges faced. Teachers are enthusiastic sharers and see the benefits of collaborations within the profession. Teachers are appreciative and supportive of the intellectual activity of their peers and provide nurturing feedback that allows good ideas to become great. Teachers are highly professional, committed to learning and dedicated to ongoing professional development that will deliver results in their classrooms. Lastly it is always apparent that there exists a wealth of amazing ideas within the educational community waiting to be shared and that by engaging in this sort of collaboration you are highly likely to find that solution you have been looking for.

Physical teach meets are great but with social networking the opportunities for virtual collaborations continue to improve. Twitter, Skype, Facebook, ScoopIt, Google Apps for Education (GAFE) all offer opportunities for sharing and collaboration on a global scale. Thanks to such tools it has become feasible that educators can source all of their learning and teaching resource requirements from a pool of ideas created, evaluated and curated by teachers. Such a body of resources is placing pressure on publishers of text books and related resources as teachers increasingly find better options available from colleagues and shared at no cost. The development of this shared tool set requires ongoing two-way collaboration where the value derived from sharing a resource comes from the access it provides in return.

This is where competition is potentially most harmful. If my access to a resource provides my students and my school or system with an advantage am I more or less likely to share that in a competitive market-driven economy? Beyond this is a system likely to invest in developing new programmes that involve an element of risk compared to adopting a widely used commercial solution already adopted by those viewed as competitors? In the world of IT the saying ‘No one was ever fired for buying IBM’ reflected not that they had the best option but that this was the safe option. Competition in a market where success or failure is determined by a narrow, clearly defined measure such as that provided by national and international assessment programmes is unlikely to ever deliver innovation.

The use of these measures not only stifles creative teaching but limits student exposure to creative learning. The trend to following the leaders in the league tables on PISA has most recently shifted the focus from Finland to China. Yong Zhao, Director of the Institute for Global and Online Education in the College of Education, University of Oregon and influential speaker on education advises caution. China’s success on PISA has come at a high cost to its students and within China there are calls for a more human approach to education. Zhao shares concerns over the demands and pressure that stellar performance on high stakes testing places on students. 'That’s the secret: when you spend all your time preparing for tests, and when students are selected based on their test-taking abilities, you get outstanding test scores. But is this what we want for our children?’ (Zhao, Y 2010) Further analysis of PISA results reveal a negative correlation between results and confidence in entrepreneurial capabilities (Zhao, Y 2012) indicating that what these tests measure and create may not equate with the ideal graduate disposition innovative industries are hoping for.

Further the sort of competition driven by these ‘High Stake' assessments hides the underlying social, racial and gender issues that allow a system to produce great results for some but not all of its students. Sue Thomson writes 'The results from the latest PISA assessment have shown that Australia does have a world-class education system - for most students - but there's much work to do to raise the achievement level of Indigenous, remote and poor students.’ A nation’s results on PISA readily hides the results it achieves for its disadvantaged and the trend to blame teachers and schools for dips and defects at a national level shifts the blame away from deeper socio-economic factors. Raewyn Connell shares that educators know how to deliver effective education across diverse environments and needs but that this is of little use if the agenda is already set; 'contrary to the rhetoric of ‘evidence-based policy’, neo-liberal policy-making proceeds as if it already knows the answer to policy problems.’ If that answer is pre-set as market-driven reform targeted at driving improved teachers, teaching and schools the underlying inequities will go unnoticed.

Connell concludes that 'Therefore, one of the most important things that intellectual workers concerned with education can now do, is to build alternative spaces - spaces in which critique is possible, practitioner knowledge can find expression and other trajectories for education are proposed.’ I agree, now is the time for educators to collaboratively affirm what education can achieve. To work as a profession together, united in the goal of achieving excellence for all students and to do so through the sharing of our collective wisdom.

By Nigel Coutts


References

Connell, R. (2013) Why do market ‘reforms’ persistently increase inequality? Discourse: Studies in the Cultural Politics of Education, Vol.34(2), p.279--285.

Thomson, S. (2008). International league: Australia’s standing in international tests Teacher:The National Education Magazine, February 2008 40-43

5 Steps to a Killer Poster Presentation

With thanks to Lawrence G Miller PHD and CEO, Miller & Associates for this guest posting. Follow Lawrence G Miller on Twitter @lawrencegmiller or LinkedIn 

A big piece of paper with text and images?  A pretty simple form of educational technology, but this is a format that can be as richly engaging as any our more contemporary digital formats.  It’s a poster!

The exact origins of the use of a single sheet of paper to encapsulate research findings are not at all clear.  In the late 1960s scientific research conferences exhibited simple posters that consisted of graphs, diagrams, and pictures, but did not contain text other than captions.  Within a few years, several scientific conferences established the poster presentation sessions that established the format pretty much as we have known it.  Today, posters have become a popular format for virtually all academic disciples, including education.

There is a certain challenge to excerpting research data or summarizing a complex project on one piece of paper.  You can think of it as akin to the Twitter paradigm of a message in 140 characters of text.  Yet, a well-designed, attractive poster can be a great learning experience in itself.  The design process forces the creator to synthesize and articulate their project or study.  Further, the experience of displaying the poster and engaging in a dialogue with interested conference participants is an extraordinarily rich experience with multiple benefits.
Here are five suggestions that will help you create a great poster and maximize the benefits of presenting in this format.

1.     Let It Flow, Let It Flow
A great poster has a logical flow to it.  An on-looker should be able to follow the intent of the poster.  In a more formal scientific-style poster, the material that is on the left side would be the set-up.  Here one would find the purpose of the research depicted on the poster, the research questions, and the methodology used.  The center area on the poster usually displays the data results of the study.  The right side is where one finds the interpretations of the data and the conclusions of the study.  The bottom right is typically where the bibliography would reside and any acknowledgments such as funding sources.

2.     Follow the Rules, Break the Rules
A poster that is entered in a competition should make sure to include all of the elements specified by the competition rules.  Reading and understanding the rules will make certain that your poster will receive all of the points that are assigned for specific areas.  However, there is room for creativity.  For example, a vertical format poster (think portrait as opposed to landscape) can make a poster distinctive.  One creative poster was constructed of 6 separate posters assembled with wooden slats.  It followed the rules for special dimensions, yet made a distinctive and effective presentation.

3.     Pictures Tell the Story
Images not only are an important way to display data, they also are a crucial design element.  Appropriate charts and graphs are typical of good posters, but sometimes a photographic image or an illustration will say something that numbers cannot.  Images should be really good photos or very simple charts or graphs.  Do not overload your images with information as they will lose their effectiveness in attracting people to stop at your poster.

4.     Clean, Simple Fonts
Nothing makes a poster look more cluttered than the use of inappropriate fonts.  Using fonts such as Arial, Franklin Gothic, and Futura make a poster look nice, but they are also very readable.  Do not mix fonts.  You can use Bold and Italic, or slightly different versions of a font family to call attention to the elements of your poster in terms of its flow.  Also, avoid using all capital letters – upper and lower case makes for easier reading.  Keep in mind that your poster will first be viewed by people who are “shopping” for topics of interest and will not initially be very close to your poster.  Your headline at the top must be large enough for people to easily ready it from a distance of five to ten feet.

5.     Engage During and After the Session
The real beauty of a poster presentation is that only those who care about the topic are likely to come and visit with you during a presentation session.  This one-on-one engagement can yield some of the richest experiences possible for both the presenter and that audience of one who cares about the content.  Be certain to have a handout that gives more depth than the posters could ever present.  The handout is where you can go into detail about your project or research.  And, don’t forget your business cards.

Just one more thing . . .
Creating a poster is a great learning experience.  Its use should be considered by instructors at all levels and a valid “deliverable” for group or individual work.


Hess, G.R., K. Tosney, and L. Liegel. 2014. Creating Effective Poster Presentations. 


Office of Undergraduate Research, Poster Presentations, University of Texas at Austin, 


Waquet, Francoise, Posters and Poster Sessions: A History, Center for History of Physics Newsletter, Volume XL, No. 2, Fall 2008

 

Spaces for Learning

Learning is impacted by many forces such as the learner’s disposition to the process, the quality of their teacher’s pedagogy, their emotional state and nature of the curriculum. Amongst this long list of factors is naturally the environment in which that learning occurs and the relationship between the environment and the learner. Our understanding of this relationship has grown and fortunately today’s educators are more willing to experiment with the way spaces are organised to promote learning. The new buzzword to describe learning spaces is ‘flexible’, but what does this mean and how might we ensure that our attractive new spaces do more than look pretty. 

Historic Classroom - courtesy of William Creswell  - Flickr

Historic Classroom - courtesy of William Creswell  - Flickr

You do not have to go far back in time to find images of classrooms that fit the look and feel experienced by the first students to experience formalised school education. Sadly you most likely can find classrooms that fit this image in your local school, today. A blackboard or Interactive Whiteboard at the front of the room, a teachers desk beside it, rows of neatly aligned desks and walls conspicuously devoid of colour or covered in carefully selected pieces of student work with a motivational poster going yellow in one corner. Ken Robinson has entertained many audiences with stories of this sort of classroom, stories that are entertaining to so many because they fit perfectly with their experience of school.

But not all classrooms are like this, some present learners with a mix of spaces suitable to a variety of learning modes or meet these varying needs through the use of spaces that are readily adapted throughout the day. Flexible learning spaces that may be tailored to the needs of the learners are said to be the future of learning. The classroom of the future as seen in the emerging spaces of today’s flexible classrooms will be bright airy spaces, full of colour and comfortable furnishings that can be arranged in many ways to create spaces of varying shapes and sizes. The classroom is becoming increasingly homely with spaces to lounge, spaces to sit formally at desks, spaces for collaboration and spaces for quiet reflection. Like so many ideas these flexible spaces first appeared in the offices of the young and hip start up companies of Silicon Valley. Google in addition to leading the world into the era of ‘search’ and all things online also led the way with the adoption of workspaces that smashed the stereotype cubicle spaces of their old economy competitors. Google took the colours of its well-known logo, combined them with playful design sensibilities and open spaces that were readily adapted to differing needs and gave the world a new design aesthetic.  

New trends in office design are envied by schools - Skype, Google and KBS+ 

New trends in office design are envied by schools - Skype, Google and KBS+ 

Since then there has been a good deal of experimentation with learning spaces and we are beginning to understand how to best utilise this new way of thinking. One of the first significant moves forward was the emergence of a metalanguage for the types of spaces we are likely to have. The origins of this language are a little murky but a good starting point is probably the work of architects Prakash Nair, Randall Fielding and Dr. Jeffrey Lackney of Design Share. Their work embodies so much of what has been adopted in a modern design language for schools and introduced three key spaces. Using metaphors from ancient civilisations spaces are seen as Campfires, Watering Holes or Cave Spaces; each serving a different purpose but acting together to meet the needs of a group of learners throughout a day. Campfires are spaces that allow communication on a large scale and fit the model of the lecture into a friendlier space that encourages more back and forth interaction. The Campfire space is best supported by spaces for collaboration on a smaller scale with nearby breakout spaces or flexibility in furnishings that offer this function. Watering Holes are spaces for small group collaboration and should include spaces that facilitate spontaneous interactions and socialisation. By nature they are likely to be loud but can be adapted to the specific needs of the group. Cave Spaces are for individuals and pairs who need access to a quiet space for reflection and meditative thinking. These spaces offer a foundation along with ideas such as tiered seating and task specific areas (wet areas, lab spaces, performance spaces) but with an agenda to allow spaces to be adapted and remixed to suit the needs of the learner schools should create spaces to suit their specific needs. 

Hellerup School in Denmark seen by many as the poster child for new learning spaces

Hellerup School in Denmark seen by many as the poster child for new learning spaces

Beyond the physical nature of the spaces there are important considerations for how they are to be used. A quick search online will reveal countless images of attractive educational spaces but such images present a potential risk to school planners. The design of any learning space must be guided by sound principles of learning and the spaces need to be matched to the pedagogy of those who will use them. The most amazing space will fail to enhance learning if it does not suit the needs of its users. There is a danger in hoping that new learning spaces will transform tired pedagogy; a belief that is not reflected by experience. In Sydney, Northern Beaches Christian School has had great success with its use of flexible learning spaces and has adopted the language of Nair, Fielding and Lackeny. Visitors to the school are told how these spaces evolved overtime to suit shifts in the ways their teachers taught and learners learned. The pedagogy of the school evolved overtime and this shift demanded new spaces to suit. A large financial investment without careful planning and preparation for how the new spaces will be embedded into the school’s learning platform is likely to result in spaces that are under utilised. 

Playful spaces that encourage students to engage with their environment in new ways

Playful spaces that encourage students to engage with their environment in new ways

With the adoption of new learning spaces come new opportunities for student learning. With choice should come an understanding of the choices that are made. Research has shown that the nature of the space can have an effect on the way we learn at a neurological level. Spaces full of noise and movement suit learning that is goal oriented in which the learner has a clear direction and understands how to get there. The brain responds to this environment in specific ways and the architecture of the brain in this environment is well suited to this mode of learning. This is why we are able to get certain tasks done effectively when listening to loud music but it also explains why this environment is not well suited to tasks requiring more open ended, reflective and creative thinking. In the loud environment the brains architecture is like a metaphorical mountain range with steep valleys according to Claxton and Lucas writing in ‘New Kinds of Smart’, sticking to the valleys allows us to traverse the pathways to completing a task quickly and with focus. At other times in a calm environment the brain is in what they call ‘Meadow Mode’ where a metaphor of a brain with flatter open spaces illustrates a more meditative style with open pathways for connecting ideas and big picture thinking. Understanding that the spaces we are learning in can affect the brains mode of operating is essential. What we want is for our students to have a range of spaces to choose from and the ability to explain why they are choosing one space over another. Spatial metacognition should become a skill for learners as they are empowered to select and even organise spaces to suit their learning. 

Whimsical Cave Spaces from Google Zurich offices

Whimsical Cave Spaces from Google Zurich offices

Lastly the way that we organise our spaces is only part of the discussion of how the learning environment shapes the learning that occurs within it. How we decorate these spaces has a significant impact too. Traditionally learning spaces, particularly in Primary schools are adorned with lovingly completed works of the students interspersed with carefully selected motivational phrases or images. These displays say a lot about what schools value; that is finished and near perfect pieces of work. This model is being challenged and schools are finding success in using their wall spaces as a combination of planning and ideational space that shows works in progress alongside tips and strategies that can be applied to learning; ideas generated by the students as they reflect on their learning. The wall spaces become an extension of the student’s exercise books and digital devices onto which the students arrange ideas as they evolve to be shared and commented on. If a school values a Growth Mindset this use of displays spaces goes a long way to reinforcing the belief that learning is messy and requires hard work with mistakes and revisions on the way.

A space to inspire young imaginations, this one in an Alabama Resort, not a school.

A space to inspire young imaginations, this one in an Alabama Resort, not a school.

Undoubtedly the new learning spaces bring a fresh level of excitement to schools and students quickly fall in love with the options and the playfulness they offer. The challenge for schools is to avoid the lure of shiny new toys and ensure that the adoption of flexible spaces is part of a bigger shift in thinking that includes effective pedagogies and supports for teachers who will be using the new spaces.

by Nigel Coutts

Essential Reading:

Nair, P., & Fielding, R. (2005). The language of school design. [Minneapolis, Minn.]: DesignShare.

Nair, P. (2014) Blueprint for Tomorrow: Redesigning Schools for Student-Centered Learning. Harvard Education Press 

The Third Teacher: 79 Ways You Can Use Design to Transform Teaching & Learning by OWP/P Architects, VS Furtniture, and Bruce Mau Design

Lucas, B., & Claxton, G. (2010). New kinds of smart. Maidenhead, England: Open University Press.